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The patient as a diagnostician: voices of hatred, manipulation, and societal pressure in Akwaeke Emezi’s Freshwater and Yaa Gyasi’s Transcendent Kingdom. J. Arts Meaning Public Life [Internet]. 2026 Jul. 30 [cited 2026 Aug. 16];1(1):410. Available from: https://flayoophl.com/journals/index.php/jampl/article/view/410