The patient as a diagnostician: voices of hatred, manipulation, and societal pressure in Akwaeke Emezi’s Freshwater and Yaa Gyasi’s Transcendent Kingdom. Journal of Arts, Meaning and Public Life, [S. l.], v. 1, n. 1, p. 410, 2026. DOI: 10.61298/jampl.2026.1.1.410. Disponível em: https://flayoophl.com/journals/index.php/jampl/article/view/410. Acesso em: 16 aug. 2026.